Monday, April 8, 2013

Is Music All We Have?

Posted by David Manner in Ancient-Future Worship, Change, Church Culture, Culture, Leadership, Ministry,Participatory Worship, Theology and Practice, Worship Convergence, Worship Creativity Questions, Worship Evaluation Questions, Worship Leader, Worship Pastor, Worship Philosophy Questions, Worship Renewal, Worship Team 

Churches that won’t take the risks to provide a venue for creatives to express art beyond predictable musical expressions will lose them to places that will.  The sole emphasis on music as our primary worship offering may have actually hindered worship and perpetuated worship conflict in our congregations.
Music is an artistic expression given to us so that we might offer that gift to God in worship.  But is it the expression?  Considering additional artistic options could alleviate the pressure on music to serve as the primary driver of worship renewal and consequently diminish its solitary blame for worship conflict.
Clayton Schmit wrote, “In most traditions, music holds the central place as, to use Luther’s term, the ‘handmaid of the Gospel.’  Whether Christians sing hymns, settings of the psalms, spiritual songs, anthems, or praise choruses, music is the principle artistic form that shapes Christian worship.  But, many others are involved.  We gather in architectural structures, we enter rooms sunlit cobalt and ruby through stained-glass filtered light, we sit in well-fashioned furniture, we listen to literature of the Scriptures, we hear aesthetically crafted messages, we move in processions, and we view images of the symbols and historic figures associated with our faith.  When we gather for worship art is all around us, and even within us.”[1]
Just considering what is presently appropriate and acceptable is not enough.  Leaders must also be willing to educate, enlighten and encourage in order to expand that acceptability.  Robin M. Jensen reminds us that, “too often art is perceived as a kind of ‘extra’ offering, meant for those of us who can appreciate it or want to be involved, rather than something essential to the shaping of faith and religious experience.”[2]
Consider the following suggestions as places for your congregation to begin multiplying their understanding: drama, painting, sculpting, drawing, dance, mime, poetry, prose, monologues or dramatic readings, photography, film, technology, computer graphics, architecture, hair and make-up, sound, lighting, staging and props and many others.  Even though God’s creativity is limitless, we often constrict our list because of our culture and tradition…or perhaps our caution and laziness.
Harold Best stated it well; “It is the solemn obligation of every artistic leader to become the lead mentor, the lead shepherd, living a life in quest of the full richness of artistic action.  The art of our worship must thus point beyond itself.  It must freely and strongly say, ‘There is more, far more.’  Be hungry.  Be thirsty.  Be curious.  Be unsatisfied.  Go deep.  Engage your whole being.  Live in the first days of creation when nothing had precedent; when everything was a surprise; when shattering reality, not sameness, ruled the day; when bafflement and surprise danced the dance.  Go to the empty tomb and find out what resurrection means to the shriveled mind and the uncurious heart.  Go to Pentecost and learn of a new, ingathering strangeness, a purification of Babel and a highway to glory:  spiritual glory, societal glory, artistic glory.  Seek and find; knock and it will be opened.”[3]


[1] Schmit, Clayton J., “Art for Faith’s Sake,” in Theology, News, and Notes, Fall 2001.
[2] Jensen, Robin, M., The Substance of Things Seen: Art, Faith, and the Christian Community (Grand Rapids: William B. Eerdmans, 2004), 2.
[3] Best, Harold M., “Authentic Worship and Artistic Action,” an address to the Calvin Institute of Worship, 2005.

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